Da Vinci's Tiger
by L.M. Elliott
Publication Date: November 10th, 2015
Publisher: Katherine Tegen Books
“Pardon me, but I am a mountain tiger” is the only
surviving line of poetry written by the woman in Leonardo da Vinci’s
very first solo portrait. Though not as well-known as, say, Mona Lisa, the
picture he painted of Ginevra de’ Benci contains the rich and untold story of
an intelligent and beautiful woman of the Florentine Renaissance. DA VINCI'S TIGER tells
a tale of the art, politics, and romance that defined the life of an upper
class noble in a wealthy city of shifting alliances and ideas. Ginevra is born
to an ennobled close friend of the ruling Medici family. Even though she is
intellectually brilliant, she is merely seen by her calculating uncle as a pawn
to be paired off in order to further the family’s political position. While she
is married to a merchant who is ultimately disinterested neither love -with a
woman, at least- nor philosophical and intellectual discussions, Ginevra has a
chance at both when the charming and eloquent
Venetian ambassador Bernardo Bembo arrives in town.
His declaration of “Platonic love” (admiration from afar due to her beauty and
virtue) for her leads to a slew of social opportunities, including the chance
to sit for a portrait commissioned to none other than Leonardo Da Vinci.
She finds that the more she works with Leonardo, the more she discovers about
her own identity and the art of expressing this identity through painting and
she beings to discover who she really is. However, not everything is so great.
Political strife is amiss and conspiracies, rivalries, and subterfuge run amok,
and her new admirer is not all that he seems, so Ginevra must learn to navigate
the dangerous waters of the nobility if she wishes to stay afloat.
One of the things I appreciated most was how realistically the main character
was written. Her wants and needs add dimensions to her character without
overpowering the entire plot line. While Ginevra is frustrated about her lack
of intellectual opportunities, she doesn’t wallow in angst and anger and she
still enjoys many aspects of Florentine society. Instead, she figures out a way
to quietly defy the social norms and gender restrictions placed upon her by
having a portrait painted that showed her as more than just another beautiful
face by utilizing certain painting techniques that were unheard of in her time.
It was a refreshingly realistic change that I felt gave the book more
authenticity.
Overall, I thought this was an educational and interesting read. I have never
come across another historical fiction YA novel from this particular time period,
let alone one that managed to still be almost accurate while telling a good
story, especially considering that Ginevra only left behind a single line of
poetry. Though the book starts out a little slow and overly formal in language,
I encourage readers to push though because it turns into a wonderful read in
which one learns not just about the characters, but an enormous deal about the
ideologies of the time period and they art they inspired.
Blood Countess, by Lana Popovic, is an excellent book. Full of interesting and creative characters, this book tells the story of love and madness. Anna must provide for her family after her father dies, and when she gets an invitation from the countess to work for her, Anna jumps at the opportunity. As they get close, however, Anna starts to realize that Elizabeth Báthory might not be as perfect as she seems. Dark and fascinating, this book will draw you in and hold you tight. I would strongly recommend this book to anyone who likes historical fiction and has a stomach for a little bit of creepiness, however, for readers that are not into horror, it might be hard to read.
